Unlike today, Ralph Cusack and his contemporaries struggled to create their own gay community in the 1980s. Galen Koch documents the struggles Cusack had has a gay man in the 1980s, forming his first leather and levi club, and how people have become more accepting.

Kira Goldenberg documents the work of Lisa Silverman, a recovering alcoholic and yoga leader who uses laughter in her sessions. Goldenberg speaks to Silverman about the history of alcholism in her family, how she fears her daught could follow the same path, and laughter yoga.

After years of being institutionalized, Grace Babcock lives independently enjoying her freedome and life. Leslie Forstadt shares Bobcock's story about growing up on her grandparents farm, spending 20 years in an institution in Massachusetts, and writing poetry.

Attempting to teach her deaf son to listen and speak, Tonya Ng is putting all her effort towards ensuring her son can live like a normal hearing child. Christopher McCleary captures Tonya going to Hear Me Now, and the progress that has been made with her son.

Prior to the year 2000, many communties began to prepare for any crisis that may have presented itself once the new year rolled in. Meagan Gould speaks to individuals involved with Y2K preparations to understand the measures of precaution that were taken for the new millennium.

Geoffrey Gundersdorf speaks to Angus Maclaurin, a musician who experiments with recording sounds transmitted from glasswork. Maclaurin recounts how music has always played a roll in his life.

At the age of 92, Mary Foley only fears that she might become helpless and have to depend on other people. Emma Rosenberg documents how Foley copes with old age.

Renee Armstrong captures an image of Angus Maclaurin, a musician who experiments with recording sounds transmitted from glasswork.

Robert Sumner documents the lives of inmates at Cumberland County Jail.

Heidi Sistare highlights the work of David Twiss, an artist at Pickwick Independent Press. Sistare speaks to Twiss about artwork and exploring the darkness of childhood in his art.

For Barbara Cough, adopting her daughters Catie and Kimberly from China were a way for her to understand a culture that is part of her own lineage. Liz Mak documents how Barbara and her partner attempt to expose their children to a culture they have never known.

Diagnosed with bipolar disorder, Hilary Hebert is a mother who is learning to manage her mood disorder and raising her children at the same time. Catherine Spangler speaks to Hebert about her experiences with her disorder, being a caregiver, and her role as a mother.