In order to give his community the gift of music, Don Roy began to teach the fiddle to people of all ages and backgrounds. Adrienne Miller captures the work done by Fiddle-icious.

Carrying a tradition of black storytellers, Samuel James is trying to expend the genre of Blues music called songsterism. Casey Atkins captures James' life.

Kendall Morse is an entertainer who played folk music and performed comedy in Maine, but started to have problems with his voice. Jud Esty-Kendall highlights how Morse developed throat cancer from forty years of smoking, and how he is trying to recover.

Sara Cox, a country singer/songwriter, speaks about the creative process for writing music and raising her kids.

Sabrina Haley documents the lives of members of the Cambodian community as they bring their culture to life through music and dance.

With the use of action figures, David Worobec performs musicals as Tophat Toy Theater in Portland. Kevin Ting documents the work Worobec does as a solo performer and how he hopes to make a career out of toy theater.

Growing up in a home filled with abuse, Ernest ran away with the traveling carnivals. Emily Forman documents the trauma Ernest experienced as a child, how today it still impacts his life as an adult, and using country music as an outlet.

Going around Portland with her zine, Sigrid Harmon distributes art that she creates. Elicia Epstein profiles Harmon's music and art project.

Isaac Kestenbaum and Kate Hassett capture the work of Galen Richmond, who creates music and noise from old electronics.

As a singer/songwriter, Eric Bettencourt has relied on emotional turmoil to write better songs. Morgan Springer profiles how Bettencourt attempts to write music while trying to find personal happiness.

Andree Kahn captures the work that women in Maine do with rock music.

Bob Webb discusses the history of work songs on the seas, and how he continues the tradition of seafaring folklore music. Webb speaks about the role that sea shanties played on the sea for sailors.